Last week was, for the most part, awful. Obviously the meeting with my supervisors was super helpful but outside of that, not great. I had been skimming through Visions of the Past, but the advice from the meeting was to lay off the theory reading and, especially, stop reading more Rosenstone. He’s outdated and I’ve read all that I need to in order understand where he fits into the field and my own argument. I went home then, and put that away. I think I’d like to look back into O’Connor a bit and refamiliarise myself and look deeper into the methodology.
I did some Tips for Effective Reading tutorials through the uni library. They were nice and quick and helpful. Mostly they were things that I knew but need to remember to do properly, specifically pre-reading. I typically tend to try to read absolutely everything and naturally, there is not enough time for this. I think I need to put more time into surveying the text for actual relevance to save time reading unnecessarily.
I also looked into Bourdieu’s theory of habitus, which was suggested to me by my supervisor Anne. Upon doing some reading I realised I must have done it a little before because the ideas were familiar. If I understand correctly, Bourdieu’s idea of habitus is the norms, patterns of talking, thinking etc., and tendencies that are socially and culturally acquired by individuals that they must take into different social contexts or fields but that also must adapt to those contexts. This is my understanding from some very surface level research. I did try to find some work on habitus and cinema but came up pretty empty (admittedly it was probably a boy’s look). There was one article by Bhrugubanda (2016) called “Embodied Engagements: Filmmaking and Viewing Practices and the Habitus of Teluga Cinema.” This looked mostly at the habitus of lower class Indian women and how this influences their viewing practices of devotional films though there was some discussion about the space of the cinema that could potentially be interesting. From my own thinking, I was wondering about film having its own habitus, as in certain kinds of films at certain times should fit certain conventions of narrative or genre or the like or how it might thwart these conventions and how this would shift over time. I guess viewer expectations would be important here too, expectations that are themselves created, or at least influenced, by pre-existing or prior conventions. I don’t know if that makes sense but it’s what I’ve been thinking about.
Sorry for the brevity and any incoherence, I’m incredibly tired at the moment. I will do better.
Bhrugubanda, Uma Maheswari. “Embodied Engagements: Filmmaking and Viewing Practices and the Habitus of Telugu Cinema.” BioScope: South Asian Screen Studies 7, no. 1 (2016): 80-95.
Rosenstone, Robert A. Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge, Massachusetts: Harvard University Press, 1995.